American Literature II Introductory Packet 
by Mr. Marsala
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


                           

 

 

 

 

 

 

American Literature II Syllabus

 

Dear Parents:

 

Below a reader will find a course description and objectives, supplies, grading policy, assessment, classroom expectations, and communication with the teacher.  All materials are available at my main page.  Few handouts will be given.   

 

Course Description and Objectives:

My students can attain success in this American Literature II class.  When the semester is over, the students will have an understanding of some of the literature from 1855 to the present.  Some of the authors we will study are Emily Dickinson, Langston Hughes, and Robert Frost.  The Madeline Hunter Process Model of Teaching  is used daily.  We also work in Gardner’s Theory of Multiple Intelligences and Bloom’s Taxonomy.

 

Supplies:

 

The student will need the following: pens, pencils, paper, folder, and highlighters.

 

Grading Policy:

 

Grades are calculated on the board approved grading scale.

93-100 = A; 90-92 = A-; 87-89 = B+; 83-86 = B; 80-82 = B-; 77-79 = C+; 73-76 = C; 70-72 = C-; 67-69 = D+; 63-66 = D; 60 – 62 = D-; 59 – Below = F.

 

There is no extra credit.

 

American Literature II Semester Breakdown

 

I.                   First nine weeks - Unit 5 and ˝ of Unit 6

1.     Emily Dickinson

a.    This is my letter to the World

b.     ``Hope’’ is the thing with feathers-

c.      Success is counted sweetest

d.     Much Madness is divinest Sense

e.     Letter to Thomas Wentworth Higginson

f.      My life closed twice before its close-

g.     After great pain, a formal felling comes-

h.     I heard a Fly buzz-when I died-

i.       Because I could not stop for Death-

2.     Kate Chopin – The Story of an Hour

3.     Rita Dove – Adolescence-III

4.     Tillie Olsen – I Stand Here Ironing

5.     Carl Sandburg – Chicago

6.     Paul Laurence Dunbar – We Wear the Mask Sympathy

7.     Anzia Yezierska – America and I

8.     Langston Hughes

a.    I, Too

b.     Harlem

c.      The Weary Blues

d.     When the Negro Was in Vogue

9.     James Weldon Johnson – My City

10.                  Countee Cullen – Any Human to Another

11.                  Claude McKay – If We Must Die

12.                  James Baldwin – My Dungeon Shook: Letter to My Nephew

13.                  Francis Scott Key Fitzgerald - The Great Gatsby

II.                 Second nine weeks - ˝ of Unit 6 and Unit 7

1.     Robert Frost – Acquainted with the Night and Mending Wall

2.     Ernest Hemingway – The End of Something

3.     T.S. Eliot – The Love Song of J. Alfred Prufrock

4.     Katherine Anne Porter – The Jilting of Granny Weatherall

5.     Sylvia Plath – Mirror

6.     Anne Sexton – Self in 1958

7.     Bernard Malamud – Armistice

8.     John Steinbeck – Why Soldiers Won’t Talk

9.     Tim O’Brien – Ambush

10.                        Martin Luther King, Jr. – from Letter from Birmingham Jail

11.                        Anne Tyler – Teenage Wasteland

12.                        John Updike – Separating

13.                        Ernest Hemingway - The Old Man and the Sea

 

Assessment:

 

Tests are meant to be an accurate reflection of the curriculum objectives.  Make up work follows the school policy in the student/parent handbook.  A child must show his or her admit slip upon returning.  Once back, the student has the same number of days missed to make up assignments.  Please turn these assignments into the teacher. 

 

Late work receives a one-letter grade deduction per day late.   All students need to keep a weekly planner with all assignments written in it, and it will be checked from time-to-time. 

 

Tests/Writings

 

Objective multiple-choice tests will be given.  The students will show what they have learned through tests and writing.  In addition, with papers, the students will be given the following material: a rubric, a due date, and a location on the web site to use as a reference.  I will check their paper against the rubric, so students can earn a better grade.  In between the date the material was given and the due date, students may submit papers and have them evaluated without a penalty.  Once the paper is graded, if students are not happy with a grade, they may make corrections, and earn half of the lost points back.  Essentially, students choose their own grade. 

 

Why Do We Do This?   Since writing is a process, a key point in writing is revision.  Even great writers like Harper Lee rewrite hundreds of times.  By doing this, students are forced to revise, rewrite, and follow the process. 

 

Classroom Expectations and Guidelines:

 

Upon entering the room students are to get into an assigned seat, so I may take attendance.  If a student is not in his or her seat when the bell rings, he or she is late.  We will have assigned seats during the first quarter.  During the second, third, and fourth quarters, students may select seats.  The teacher reserves the right to change seats if necessary.  At the beginning of class, I will raise my right hand meaning class is beginning.  In addition, this signal will be used during the class to bring the class to attention for things like announcements.  When turning in or passing out an assignment, all paper work will be passed to the side. 

 

Hall passes are available from me.  A bathroom pass will be given to a student once a week (unless there are extenuating circumstances).

 

All people in the room are expected to work together to ensure a safe environment.  If a student has a question, please raise a hand; also, if we are working in groups or if another student is presenting a project, a student is expected to stay on the educational objective.  In order to guarantee your child, and all the students in my classroom, the excellent learning climate they deserve, I am utilizing the following assertive discipline plan  starting today. 

 

Mr. Marsala’s Classroom Guideline

 

A student must work to reach the educational objective for each day. 

 

If a student chooses to breaks this guideline, the consequences are as follows:

 

First consequence: Verbal warning.

Second consequence: A talk with the teacher and a detention.

Third consequence: A call home and two detentions.

Fourth consequence: Parent/teacher conference.

Fifth consequence: An office referral.

 

The tardy policy follows the parent/student handbook.

 

Computer Lab Procedure:

 

A student may sit where he or she likes, but I reserve the right to change seats.  Also, a student may listen to music while typing provided it does not distract from finishing an assignment; also, he or she must have headphones.  A student may not listen to music without headphones.

 

Parent/Teacher Communication:

 

If we work together, the child will have a better chance at success.  Midterm and quarter notices will be sent and state a child’s progress.  Please feel free to call me at (440) 933-6290.  In addition, I have established an e-mail address at vmarsa@leeca.org.  The phone number and email address shown are for educational use only by parents/adults.  Student phone calls and/or emails will not receive a response at any time.  As with any email, I can be reached 24 hours a day, seven days a week.   

 

Papers and Plagiarism: Material may not be copied at all.  If the material is not your work, it must be attributed to its creator. 

 

Key items to remember about plagiarism – You CANNOT use a writer’s exact words without using quotation marks and the page number where the quote can be found in the text, and a complete citation in the reference pages.

 

You CANNOT simply rephrase another’s words and present the revised version as your own.

 

You CANNOT present another’s ideas, no matter how differently it is phrased, as your own.

 

 

Disclaimer:

 

This is not meant to be all encompassing.  As the year progresses, there may be a need for additional assignments or modifications to expectations.

 

Sincerely yours,

 

 

 

Vincent Marsala

Teacher